From Wikipedia, the free encyclopedia
Indian
literature is generally acknowledged as one of the oldest in the world. India has 22 officially recognized languages, and a huge variety of literature has been produced in these
languages over the years. In Indian literature, oral and written forms are both important. Hindu literary traditions dominate a large part of Indian culture.
Apart from the Vedas which are a sacred form of knowledge, there are other works
such as the Hindu epics Ramayana and Mahabharata, treatises such as Vaastu Shastra in architecture and town planning, and Arthashastra in political science. Devotional Hindu drama, poetry and
songs span the subcontinent. Among the best known are the works of Kalidasa (writer of the famed Sanskrit play Recognition of Shakuntala) and Tulsidas (who wrote an epic Hindi poem based on the Ramayana, called
Raamcharitmaanas). Tamil poetry of the Sangam poetry which dates back to
1st century BC is well renowned. Muslim literary traditions also dominate a large part of Indian culture. In the medieval
period, during which time India was mostly under Muslim rule, Indian Muslim literature flourished, most notably in the Persian and Urdu poetry. Among contemporary Indian literature Bengali poet
Rabindranath Tagore became India's first Nobel laureate. So far India's
highest literary honor, the Jnanpith awards, has been conferred seven times upon Bengali writers, which is the highest for any language
in India.[1]
Indian literature in archaic Indian languages
[edit]
Vedic literature
Examples of early works written in
Vedic Sanskrit include the holy Hindu texts, such as the core Vedas and the Upanishads. Other examples include the Sulba Sutras, which are some of the earliest texts on geometry.
Epic Sanskrit literature
Vyasa's Mahabharata and Valmiki's Ramayana, written in Epic Sanskrit, are regarded as the greatest Indian epics.
Classical Sanskrit literature
The famous poet and playwright Kālidāsa wrote two epics: Raghuvamsha (Dynasty of Raghu) and Kumarasambhava (Birth of Kumar Kartikeya); they were written in Classical Sanskrit rather than Epic Sanskrit. Other examples
of works written in Classical Sanskrit include the Pāṇini's Ashtadhyayi which standardized the grammar and phonetics of Classical Sanskrit. The Laws of Manu is an important text in Hinduism. Kālidāsa is often considered to be the greatest playwright in Sanskrit
literature, and one of the greatest poets in Sanskrit literature, whose Recognition of Shakuntala and Meghaduuta are the most famous Sanskrit plays. He occupies the same position in Sanskrit literature that Shakespeare occupies in English literature. Some other famous plays were Mricchakatika by
Shudraka, Svapna Vasavadattam by Bhasa, and Ratnavali by Sri Harsha. Later poetic works
include Geeta Govinda by Jayadeva. Some other famous works are Chanakya's Arthashastra and Vatsyayana's Kamasutra.
Prakrit literature
The most notable Prakrit language was Pali. Many of Ashvaghosha's plays were written in Shaurseni Prakrit. Another major
work in Shaurseni was Karpoormanjari. Kalidasa, Harsha and Haal used Maharashtrian Prakrit in some of their plays and poetry.
Many Shwetambar Jain works are also written in the Maharashtri Prakrit. Many
plays (like those of Ashvaghosha) and Jain works were written in the Ardha Magadhi Prakrit.
Pali literature
The Pali Canon is mostly of Indian
origin. Later Pali literature however was mostly produced outside of the mainland
Indian subcontinent, particularly in Sri Lanka and Southeast Asia.
Pali literature includes Buddhist philosophical works, poetry and some grammatical works.
Major works in Pali are Jataka tales, Dhammapada, Atthakatha, and Mahavamsa. Some of the major Pali grammarians were Kaccayana, Moggallana and Vararuci (who wrote Prakrit Prakash).
Indian literature in common Indian languages
Assamese literature
The Charyapadas are often cited as
the earliest example of Assamese literature. The Charyapadas are Buddhist songs composed in 8th-12th century. These writings
bear similarities to Oriya and Bengali languages as well. The phonological and morphological traits of these songs bear very
strong resemblance to Assamese some of which are extant.
After
the Charyapadas, the period may again be split into (a) Pre-Vaishnavite and (b) Vaishnative sub-periods. The earliest known
Assamese writer is Hema Saraswati, who wrote a small poem "Prahrada Charita". In the time of the King Indranarayana
(1350-1365) of Kamatapur the two poets Harihara Vipra and Kaviratna Saraswati composed Asvamedha Parva and Jayadratha Vadha
respectively. Another poet named Rudra Kandali translated Drona Parva into Assamese. But the most well-known poet of the Pre-Vaishnavite
sub period is Madhav Kandali, who rendered Valmiki's Ramayana into Assamese verse
(Kotha Ramayana, 14th century) under the patronage of Mahamanikya, a Kachari
king of Jayantapura.
The most famous modern
Assamese writers are Indira Goswami, Birendra Kumar Bhattacharya,Homen Borgohain,Mahim Bora, Arupa Patongia Kalita,Anuradha Sharma Pujari etc.
Bengali literature
The first evidence of Bengali literature
is known as Charyapada or Charyageeti, which were Buddhist hymns from the 8th century. Charyapada is in the oldest known written
form of Bengali.[1] The famous Bengali linguist Harprashad Shastri discovered the palm leaf Charyapada manuscript in the Nepal
Royal Court Library in 1907. The most internationally famous Bengali writer is Nobel laureate Rabindranath Tagore, who received the Nobel Prize for Literature in 1913 for his work "Gitangali".He Wrote the
national songs of India and Bengaldesh namely'Gana Gana Mana' and "Amar Sona Benla" respectively.He was
the first Asian won the Nobel Prize. Rabindranath has written enormous amount of Poems,Songs,Essays,Novels,Plays and Short-stories.
His songs remain popular and are still widely sung in Bengal.
Another poet, one generation younger is equally popular, valuable, and influential in his country, though
virtually unknown in foreign countries: Kazi Nazrul Islam. Other famous Indian Bengali writers were Sharat Chandra Chattopadhyay, Bankim Chandra Chattopadhyay, and Michael Madhusudan Dutt. Bengali is the second most commonly spoken language in
India (after Hindi). As a result of the Bengal Renaissance in the 19th and 20th centuries, many of India's most
famous, and relatively recent, literature, poetry, and songs are in Bengali.
[edit]
Bhojpuri literature
Hindi literature
Hindi literature started as religious and philosophical poetry
in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas. In modern times, the Khadi dialect became more
prominent and a variety of literature was produced in Sanskrit.
Chandrakanta, written by Devaki Nandan Khatri, is considered to be the first work of prose in Hindi. Munshi Premchand was the most famous Hindi novelist. The chhayavadi
poets include Suryakant Tripathi 'Nirala', Jaishankar Prasad, Sumitranandan Pant, and Mahadevi Varma. Other renowned poets include Ramdhari Singh 'Dinkar', Maithili Sharan Gupt, Agyey, Harivansh Rai Bachchan, and Dharmveer Bharti.
Kannada literature
The oldest existing record of Kannada
poetry in tripadi metre is the Kappe Arabhatta record of 700 CE. Kavirajamarga by King Nripatunga Amoghavarsha I (850 CE) is the earliest existing literary work in Kannada. It
is a writing on literary criticism and poetics meant to standardize various written Kannada dialects used in literature in
previous centuries. The book makes reference to Kannada works by early writers such as King Durvinita of the sixth century and Ravikirti, the author of the Aihole
record of 636 CE. An early extant prose work, the Vaddaradhane by Shivakotiacharya
of 900 CE provides an elaborate description of the life of Bhadrabahu
of Shravanabelagola. Since the earliest available Kannada work is one on grammar
and a guide of sorts to unify existing variants of Kannada grammar and literary styles, it can be safely assumed that literature
in Kannada must have started several centuries earlier.[2] The works of the midieval period are based on Jain and Hindu principles. The Vachana Sahitya tradition of the twelfth century is purely native and unique
in world literature.[3] It is the sum of contributions by all sections of society. Vachanas were pithy comments on that period's social,
religious and economic conditions. More importantly, they held a mirror to the seed of social revolution, which caused a radical
re-examination of the ideas of caste, creed and religion. Some of the important writers of Vachana literature include Basavanna, Allama Prabhu and Akka Mahadevi. Kumara Vyasa, who wrote the Karnata Bharata Katamanjari, has
arguably been the most famous and most influential Kannada writer of the fifteenth century. The Bhakti movement gave rise to Dasa Sahitya around the fifteenth century which significantly contributed
to the evolution of Carnatic music in its present form. This period witnessed great Haridasas like Purandara Dasa who has been aptly called the Pioneer of Carnatic music,
Kanaka Dasa, Vyasathirtha and Vijaya Dasa. Modern Kannada in the twentieth century has been influenced
by many movements, notably Navodaya, Navya, Navyottara, Dalita and Bandaya. Contemporary
Kannada literature has been highly successful in reaching people of all classes in society. Works of Kannada literature have
received seven Jnanpith awards, which is the highest number awarded for the literature
in any Indian language. It has also received forty-seven Sahitya Academy awards.
- See also: Medieval Kannada literature and Kannada poetry
Kashmiri literature
Malayalam literature
Marathi literature
Marathi literature began with saint-poets like Dnyaneshwar, Tukaram, Ramdas, and Eknath. Modern Marathi literature was marked by a theme of social
reform. Well-known figures from this phase include Mahatma Jyotiba Phule, Lokhitwadi, and others. Prominent modern literary figures include Vishnu Sakharam Khandekar, P.L. Deshpande, Vijay Tendulkar, and Vishnu Vaman Shirvadakar (Kavi Kusumagraj).
Nepali literature
Oriya literature
Oriya has a rich literary heritage
dating back to the thirteenth century. Sarala Dasa who lived in the fourteenth century is known as the Vyasa of Orissa. He translated the Mahabharata into Oriya. In fact the language was initially standardised
through a process of translation of classical Sanskrit texts like the Mahabharata, the Ramayana and the Srimad Bhagabatam. Jagannatha Das translated the
Srimad Bhagabatam into Oriya and his translation standardized the written form of the language. Oriya has had a strong tradition
of poetry, especially that of devotional poetry.Some other eminent ancient Oriya Poets include Kabi Samrat Upendra Bhanja
and Kabi Surya Bala Dev Ratha.
In nineteenth
Century, Fakir Mohan Senapati (1843-1918), Gouri Shankar Ray, Gopal Chandra Praharaj,
Pandit Nilmani Vidyaratna , Kabibar Radhanath Ray were prominent figure in prose and poetry writinga of Oriya Literature.In twentieth century Godabarish Mohapatra, Kalindi Charana Panigrahi, Kanhu Charan
Mohanty (1906-1994), Gopinath Mohanty, Sachchidananda Routray, Surendra Mohanty, Manoj Das, Kishori Charan Das, Sitakanta Mohapatra, Ramakanta Rath, Binapani Mohanty, Jagadish Mohanty, Sarojini Sahoo, Rajendra Kishore Panda , Padmaj Pal,Ramchandra Behera ,
Pratibha Satpathy are few names who made the Oriya Literature and Oriya language worthy.
Punjabi literature
The history of Punjabi literature
starts with advent of Aryan in Punjab. Punjab provided them the perfect environment in which to compose the ancient texts.
The Rig-Veda is first example in which references are made to the rivers, flora and fauna of Punjab.
Rajasthani literature
Sanksrit literature
Sindhi literature
Sindhi literature after 1947 partition
between India and Pakistan was in doldrums. The Sindhi's who have migrated from Sind, Pakistan were more involved in survival.
However, post partition literature was mainly in demonstrating love for Sind, remembering the Sind and craving for the unification
of India & Pakistan. The well known writers in that era were like Gobind Malhi, G L Dodeja, Lakhmi Khilani, Kirat Babani,
Vishnu Bhatia, Lokram Dodeja, Rekha Shahani, Sundri Utamchandani etc. Within 2 decades it became clear to all, that the Sindhi
language written as well as spoken was gradually declining. Many Sindhi's specially in major cities, preferred to teach
Hindi & English to their children, so that their financial future was secure. Therefore the main thrust and debate for
all writers and thinkers was 'How to Keep Sindhi Literature Alive'. By 90's all Sindhi Schools in Cities like
Mumbai and Ahemdabad were closed. The only newspaper published from Mumbai, 'Hindvasi' was also closed, other weeklies
and dailies in Sindhi have long back closed down. Old generation only read religious books like Ramayana - Mahabharat - Bhagwat
etc. Today, an attempt is made to keep Sindhi culture alive by few editors like Jairam Rupani, Shri Lakhmi Khilani by publishing
magazine in english language.
Tamil literature
Tamil literature has a rich and long literary tradition spanning
more than 2000 years. Tolkaappiyam has been credited as the oldest work in Tamil available
today. The history of Tamil literature follows the history of Tamil Nadu, closely following the social and political trends of various
periods. The secular nature of the early Sangam poetry gave way to works of religious and didactic nature
during the Middle Ages. Tirukkural is a fine example of such work on human behaviour and political
morals. A wave of religious revival helped generate a great volume of literary output by Saivite and Vaishnavite authors. Jain and Buddhist authors during the medieval period and Muslim and European authors later also contributed to the growth of Tamil literature.
A revival of Tamil literature took place from the late nineteenth
century when works of religious and philosophical nature were written in a style that made it easier for the common people
to enjoy. Nationalist poets began to utilise the power of poetry in influencing the masses. Short stories and novels began
to appear. The popularity of Tamil Cinema has also provided opportunities for modern Tamil poets to
emerge.
Telugu literature
Telugu, the third largest language
spoken in India, is rich in literary traditions. The earliest written literature dates back to the seventh century. The epic
literary tradition started with Nannayya who is acclaimed as Telugu's Aadikavi meaning
the first poet. He belongs to tenth or eleventh century. Vemana who lived in the fourteenth century wrote in the language
of the common man. He wrote poems in a simple style. He questioned the prevailing pseudo values and conventions and religious
practices in his poems. His philosophy made him a unique poet of the masses. Viswanadha Satyanarayana (veyi padagalu), a doyen of conventional yet creative literature, was the
first to receive Jnanpith Award for Telugu followed by C. Narayana Reddy.ANNAMAYAA,Gurajada Appa RaO,Kandukuri,Sri Sri,Devulapalli,Jashuva
Unnava laxminarayana (malapalli), Bucchi babu, tripuraneni gopichand and many more had profound impact on telugu literature.
Urdu literature
Among other traditions, Urdu poetry
is a fine example of linguistic and cultural synthesis. Arab and Persian vocabulary based on the Hindi language resulted in a vast
and extremely beloved class of ghazal literature, usually written by Muslims in contexts ranging from romance and society
to philosophy and devotion to Allah. Urdu soon became the court language of the Mughals and in its
higher forms was once called the "Kohinoor" of Indian languages.
[edit] Indian literature in foreign languages
Indian
Persian literature
During the early Muslim period, Persian became the lingua franca of the subcontinent, used by most
of the educated and the government. Although Persian literature from Persia itself was popular, several Indians became major Persian poets, the most notable being Amir Khusro and in more modern times Allama Iqbal. Much of the older Sanskrit literature was also translated into Persian. For a time, it remained the court language of the Mughals, soon to be replaced by Urdu. Persian still held its status,
despite the spread of Urdu, well into the early years of the British rule in India. Most British officials had to learn Persian on coming to India and concluded their conversations in Persian. In the early 19th century, however, the British, in an
effort to expand their influence, made a government ruling to discontinue the use of Persian and commence the use of English instead. Thus started the decline of Persian as the subcontinent's lingua franca, a position to be
taken up by the new language of the British Raj, English. Many modern Indian languages still show signs
of heavy Persian influence, most notably Urdu and Hindi.
Indian English literature
In the last century, several Indian
writers have distinguished themselves not only in traditional Indian languages but also in English. India's only Nobel laureate in literature was the Bengali writer Rabindranath Tagore, who wrote some of his work originally in English, and did
some of his own English translations from Bengali. More recent major writers in English who are either Indian or of Indian
origin and derive much inspiration from Indian themes are R. K. Narayan, Vikram Seth, Salman Rushdie, Arundhati Roy, Raja Rao, VS Naipaul, Amitav Ghosh, Rohinton Mistry, Vikram Chandra, Mukul Kesavan, Raj Kamal Jha, Vikas Swarup, Khushwant Singh, Shashi Tharoor, Nayantara Sehgal, Anita Desai, Kiran Desai, Ashok Banker, Shashi Deshpande, Jhumpa Lahiri, Kamala Markandaya, Gita Mehta, Manil Suri, Ruskin Bond and Bharati Mukherjee.
In the 1950s, the Writers Workshop collective in Calcutta was founded by the poet and essayist
P. Lal to advocate and publish Indian writing in English. The press
was the first to publish Pritish Nandy, Sasthi Brata, and others; it continues to this day to provide a forum
for English writing in India.
In recent years,
English-language writers of Indian origin are being published in the West at an increasing rate. In June 1997, a special fiction
issue of The New Yorker magazine devoted much space to essays by Amitav Ghosh and Abraham Verghese, a short story by Vikram Chandra, and poems by Jayanta Mahapatra and A. K. Ramanujan. John Updike profiled R.K. Narayan and Arundhati Roy's "A God of Small Things." Moncy Pothen's Beneath the Clouds and Coconut Leaves was published in USA, in March 2006.
VS Naipaul, Ruth Prawer Jhabvala, Salman Rushdie, Arundhati Roy and Kiran Desai have won
the prestigious Man Booker Prize, with Salman Rushdie going on to win the Booker of Bookers.
VS Naipaul has won the Nobel Prize for Literature.
Awards